Changelog — v0.17.x archive
Release v0.17.0, covering 2026-07-18. The current changelog (v0.18.0 onward) lives in CHANGELOG.md.
v0.17.0 — 2026-07-18
Added
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Synced lyrics now display over the Queue cover art, following the playing track line by line.
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A Lyrics toggle joins the player-bar modes (hotkey
L), with a matching Settings row. -
Lyrics resolve from a local store, then your server’s OpenSubsonic lyrics, then LRCLIB.
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Fetched lyrics cache into
~/.local/share/nokkvi/lyrics/and resolve offline afterwards. -
An online-fetch setting gates the LRCLIB channel for privacy.
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The lyric column glides between lines with eased motion, snapping on seeks.
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With crossfade on, the old track’s lyrics dissolve out as the next track’s fade in.
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The over-cover visualizer keeps playing underneath the lyrics instead of yielding to them.
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A Lyrics: Cover Blur setting frosts the cover behind the lyrics, Off through Heavy.
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A small school of fish now drifts through the mid-water of the Trawl scene, above the seabed and below the waterline.
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Kelp beds now sway along the Trawl seabed, taller clusters on each flank and shorter loners toward the middle.
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A stream of bubbles now rises from the dragged anchor, aerating the bed as the trawl works across the floor.
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Rock mounds and a resting starfish now settle on the Trawl scene’s seabed floor.
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A slatted cargo crate now lies tilted on the Trawl scene’s right seabed.
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The Trawl scene’s night water now feels lit by the moon.
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Once in a while a long inked serpent glides across the Trawl scene’s deep water, then vanishes.
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The Trawl scene’s daytime waterline catch-light and shimmer now gild in sun gold, recolored from the starlight they drew at night.
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Sparse glitter now flashes on the Trawl scene’s daytime water beneath the sun.
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Some cycles a tiny hazed sail now crosses the far swell behind the longship by day, bobbing with the distant water.
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Rarely the Trawl night sky opens an invisible black hole, and nearby stars spiral in, shrink to nothing, then get spat back into place.
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The Trawl scene’s moon now rests as a bare disc, faceless between dreams.
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Once at every launch, and rarely after, the Trawl scene’s sky slips into a short ritual that calls a face onto its disc.
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The face builds mark by mark as each carved verse arrives, the grin appearing first.
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When the dream ends the marks leave in reverse, the strap first and the grin lingering last before the disc is bare again.
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The moon dream’s four carved verses ship untranslated, left to whoever cares to read them.